“Kauf, Kauf…” (or: Malkovich Gaiden)
Mm. I’ve been kind of scared to watch Adaptation again. I’ve seen it two and a quarter times now — once in the theater, once at home, and the rest in French. The dub was strange.
The point is, I really liked it in the theater. It was one of the only movies that I’d seen which honestly impressed me on an intellectual level. I identified with it in a number of ways. I was, however, uncertain of how stable this might be.
It defeated me the first time. I enjoyed it the second time. Still, the movie isn’t exactly perfect. There are some qualities which are a little annoying — even though it accounts for them just fine. It wouldn’t be the same movie otherwise; it wouldn’t hold together in the same way.
I was afraid that my patience wouldn’t last through those bits and that the movie might start to fall apart, if I picked at it too much. I know that it doesn’t hold up for a lot of people — otherwise rather perceptive people — in a couple of specific places. Towards the end, especially.
Perhaps only in my vanity, I’d like to think that I more clearly understand what the movie is trying to do (and succeeding, as far as what it intends). Was I just tolerating those bits in favor of the larger structure? Did understanding them do me any real good? How about understanding that the movie sets itself up to allow me to watch it any old way that I like? To pick a level (if I wish) and stay with it? To ride it through to the end? Was I merely tricked into outsmarting myself?
The answer: I think, no. I’m watching it yet again. It’s paused right after the last “muffin” line. And… although this is early, it still works. I can project out from here. I think I’m appreciating it better each time. This film isn’t as fragile as I feared that it might be.
Further, it’s… oddly encouraging. Just as it’s depressing.
BONUS NOTE!
Try filtering The Matrix through Adaptation.
You can use the movie as a colander, you know. It’s fun!
Either Matrix will do. Your choice.
Note the bit about broken mirrors.
Choice is good.
The Wachowskis do indeed possess a certain flavour of genius.
I’m not sure if it’s a constructive kind, but it’s undeniably there.