A chance for Jackson, director of Hobbits, to prove his quality

  • Reading time:2 mins read

Here’s a clear example of the character illustration that has been re-implemented in the extended version of the movie.

In a flashback, Faramir remembers a meeting with his brother Boromir and his father Denethor. Denethor dismisses and insults Faramir a bit, then assigns Boromir the task to ride to Rivendell and claim the One Ring for Gondor. Boromir is crushed. Faramir offers to ride in Boromir’s place, as it is clear that Boromir would prefer to stay with his people. Denethor scoffs. “A chance for Faramir, captain of Gondor, to prove his quality?” He mocks Faramir some more, then sends Boromir on his way.

Some time later, Faramir realizes that Frodo has the Ring. He confronts Frodo, and pulls the ring from under Frodo’s vest with the tip of his sword. He stares, transfixed. “A chance for Faramir, captain of Gondor, to prove his quality…” Frodo freaks out and runs off into the corner, as Faramir stares on, perplexed.

Later, after Faramir puts the pieces together and decides to let Frodo go (at his own risk), Sam thanks Faramir and comments that he has “proved his quality”.

So. We’ve a character arc here. The entire episode was structured as a test, for Faramir. And, in the end, he passed it. He just needed to work a few things out first — like, for instance, what about him was being tested.

The first and the third mention are absent in the theatrical cut. We’re just left the middle bit, where Faramir prods Frodo with his sword. We’ve no context for why he does this, or why he decides to let Frodo go. We just have actions, without meaning.

This principle can be extended throughout most of the movie. The extended version still has some problems, and not all of them are of this nature. As I said before, I don’t think the movie can be fixed. Not entirely. Still, it’s a little better.

EDIT: I continue this thought train here.