People are bitching about Tennant’s age.

  • Reading time:4 mins read

So. Age range. Most Doctors began in their early-to-mid forties: Troughton, both Bakers, McCoy, Eccleston.

Two began in their early-to-mid fifties: Hartnell and Pertwee. (Hartnell sure seems a lot older, doesn’t he.)

Davison and McGann were in their thirties; early and late, respectively. Tennant turns thirty-four in two days.

In order:

55->44->51->41->31->41->44->37->41->34

There’s a certain regularity here, although the trend has been toward younger Doctors. Davison was the watershed; where before forty-one was a “young” Doctor, now it was comparably old. And that’s the pattern we’ve had since.

It’s a little odd how often the actors are exactly forty-one, or something-one. It’s either that or something-four, the only exceptions being Hartnell and McGann.

So it’s true that Tennant is the second-youngest Doctor; the transition is a lot like the one from Tom Baker to Davison or McCoy to McGann, except that both Baker and McCoy had aged by the trade-off and were then closer to the range of Hartnell or Pertwee. So the trade-off was to an appreciably younger man, much as it has usually been. There’s a certain significance to that concept: age trading itself in for youth. Now, we’re going from a Doctor who is still pretty young to a Doctor who is even younger. That’s a first. And that’s probably where the noise is coming from.

If Tennant sticks around for seven years — as long as Tom Baker, and as long as anyone’s held onto the role — he’ll only be as old as Eccleston is now. This means we’re not going to see a “mature”, paternal Doctor any time soon. At least, not unless McCoy comes back for a visit. Although Davison’s Doctor was younger, he had a short life before regenerating into older men. Although McGann was around the same age, he only ever appeared the once. In contrast, the idea here is that Tennant is supposed to persist for a whilie. He’s the Doctor we’ve really been waiting for; Eccleston was just setup.*

I guess this brings up the question of why he diidn’t just bring back McGann for the first season, if that was his plan all along. The only answer I have there is that McGann’s been done. He wanted a new start with the audience; a Doctor without a history to him, that we could get to know from the start. Rose is the audience; if we already know the Doctor, we’re too far ahead of her. He wanted the audience to feel ownership over this Doctor — like he was new out of the wrapping instead of a hand-me-down. Then when Davies kills him off, it will have more weight.

I guess it also brings up the question of why Davies didn’t choose an older Ninth Doctor, to provide contrast. I assume it’s because he wanted this Doctor to be new, and it makes little sense to regenerate into a geezer. The only time the Doctor has regenerated into a substantially older man was in the case of Pertwee, and that was imposed on the character by the Time Lords. So it seems like there aren’t too many options here; to get the effect Davies seems after, you need a youngish man for the Ninth Doctor, and you need an even younger man for the Tenth.

How, then, does this clash with public expectations? It’s because we’re used to the idea of a paternal Doctor — even if the only one we’ve had since Pertwee is McCoy. We have this image in our minds of an elderly chap. After all, he’s been alive for so long! That’s a little odd when you think that we also most associate Tom Baker with the role — a weird-o beatnick cross between Harpo Marx and Dracula. Maybe it makes some sense if you consider how short-lived the following four Doctors were, and how many problems the show had through the ’80s. We tend to forget about everyone after Tom Baker, leaving us with some kind of a cross between Baker and Pertwee and some idle memory of Hartnell and Troughton. And where does Tennant fit into that!

Well, he doesn’t. What he does fit into is the established mythology and overall pattern of the series. The trend has always been toward a younger Doctor; now we’ve got another. And furthermore, the mythology is still growing. The pattern is no longer static. The show is alive again, and Davies has his own ideas. So really, everything is about as well as it might be.

She says I am the one

  • Reading time:1 mins read

Just now, for the first time ever, I heard the hard “K” in “kid”. And by extension, I was able to pretend I heard a “D”.

All my life, I’ve heard the line as “but the chair is not my son”.

You’re the man, Zarak!

  • Reading time:1 mins read

The Doors’ three middle albums each exemplify one aspect of the band, to the detriment of the other two; it’s not until LA Woman that they explore everything and arrive where they started, more mature for the meandering.

  • Waiting For the Sun is their “pop” album. Listenable, polished radio stuff. Vapid.
  • Soft Parade is their “progressive” album, where they try to make something more than mere pop music. Pretentious.
  • Morrison Hotel is their “blues” album, where they dig for “roots” that aren’t really theirs. Embarrassing.

When the Doors are at their best, they are bluesy, poppy, and progressive without thinking about any of it. Their sound comes from who they are: a classical pianist, a jazz drummer, a flamenco guitarst, and a poet.

Of the three middle albums, I find Waiting for the Sun most tolerable. Although it’s shallow, it’s shallow in an organic way; they just were lazy. They fell into a pattern. The next two albums, they consciously tried to react against that and be more “real”. Which meant they were kind of fake.

The final album, they didn’t give a shit anymore. They just went about making something good. So that’s what they got.

Regarding “The End of the World”:

  • Reading time:4 mins read

Holy shit. The new series is going somewhere.

EDIT:

Okay. About the Eccleston thing. Now that the shock is past, and now that it’s clear the season was scripted with this probability in mind, and now that we’ve seen episode two and what it suggests about how the new series will treat its characters, and now that we’ve gone back and read Davies’s comments about his ideas for the show — now where do we sit?

As uncomfortable as it might seem at face value, this could come off as an organic development. Consider the following:

  • that the reason Davies “never even considered” bringing back McGann for a regeneration was that he didn’t want to confuse a new audience; he wanted a fresh start
  • that the new series is about wonder and horror, and about the relationship between the Doctor and his companion
  • that unlike the original Doctor Who, the new series is organized around long-term character arcs

So the question to ask is, what do we get if we kill off the Ninth Doctor and keep Rose on, after the first season? What do we establish by doing this? The answer: a hell of a lot.

It establishes the concept of regeneration right off — or, rather, once the Doctor and Rose have had time to bond, and she’s gotten to think she knows him and become comfortable with who she thinks he is. This allows the show to go into his backstory, and explain that he’s had eight other lives before the one she (and by extension the new audience) knew. And maybe even to visit or flash back to a couple of them, eventually. When the notion has settled in well enough.

This whole concept ties into the innate wonder and horror of the new series. The horror that the Doctor is dead; the wonder that he’s not, and that there’s this whole extra dimension to him that he never mentioned; the horror of realizing even more than before just how alien he is and wondering what else that might imply; the horror of the very nature of the Doctor’s relationship with Rose, of everything she knows about him, coming into question as a result of it; the wonder that even with a new face and personality this can still be the same person; the wonder at all of the centuries and lives of experience and knowledge and pain that Rose had never even had a hint of before.

All of this feeds right into the concept of a character arc. It’s the juiciest kind of meat. This is a cornucopia of material for the Doctor, for Rose, and for their relationship. This is the kind of stuff that the series can work off of for years; that, once it’s established, can carry the series to its eventual end. And until the Doctor regenerates, it ain’t going to get established. All we’ve got is a kind of superficial setup.

Recall that the old series didn’t really get started until Hartnell regenerated into Troughton. Then, suddenly, we had something more to work with. So Hartnell stayed for three seasons, while Eccleston is leaving after one. Eccleston’s episodes are also paced more quickly. We have a lot to establish and we know the rules by now. As Davies said, today all you need to show is the cause and the effect; you don’t need to go through all the motions in between, because we get it already.

Of course it would sort of spoil things if the Doctor were to regenerate after every season. He only has a few lives left, and if the series is to work, he should only lose them when there’s a dramatic purpose to it. So whoever the Tenth Doctor is, he should expect to stick around for a while: Eccleston is a sacrifice to him, after all. He will be what we’ve really been waiting for.

EDIT AGAIN:

And hell. Seems this was all planned after all, and the BBC are just idiots for ruining the surprise.