The Blessing of Fatal Death

  • Post last modified:Sunday, March 21st, 2010
  • Reading time:1 mins read

So. Collectively, The Empty Child/The Doctor Dances is by far the most nuanced, well-written, well-directed, well-edited, well-scored, probably well-acted serial of the season. The best use of effects and lighting. The best premise. The best supporting cast. The best resolution. Even the best pre-title synopsis. This is just stupidly good. And it’s kind of melancholy in that the way this ends, the balance that it finds — it’s a kind of perfection. This is the TARDIS at its height. The relationship between the Doctor and Rose, the presence of Jack, the comfortability level. It feels like everything has finally come together, after a long lead-up. This is the classic formation we’ve been waiting for. And it’s about to end. Next is, in effect, the three-part finale.

Did you hear? Next season is going to deal heavily with the Cybermen. That should be curious to witness.

I haven’t been saying much lately. I will soon. The last month has been nuts. I have other things to do first.