Lady Cassandra O’Brien feels like she should bother me more than she does. On principle she’s… not great, right, but in practice it’s hard to even frown that hard. The trans element is misjudged, probably. but I don’t see it as malicious. I know Davies has readily evolved as he’s learned, and admitted his past limitations.

There’s also this thing with progressive transgressive humor, right. You start by making a joke about something, someone unmentionable. The transgression isn’t in demeaning the unmentionable; it’s for acknowledging it. admitting to an uncomfortable world that it exists. Making it a joke gets it in the door at all. When later that existence is normalized such that we’re not discussing validity and rights and compassion, the initial jokes can come off as cruel and insensitive—the sort of thing the regressive sort will latch onto, to try tear down what legitimacy has been built.

If you keep moving long enough, any landmark that once was a step forward becomes a step back. But that marker, its inherent value isn’t gonna always sit in relation to where things are now.

Doctor Who came back 15 years ago. Davies is an angry, militant anarcho-humanist. The offhanded trans joke with Cassandra was probably tasteless then as it would be now, but all things considered to me it doesn’t read as mean-spirited. Kind of the opposite, weirdly; it’s in the spirit of, can we get away with pushing the window here? If we make it a dumb joke, just maybe! This is in contrast to some other things one could cite, like the dialogue in any given Toby Whithouse episode—or, you know, Gareth Roberts. As a person. I know how Davies’ mind works, at least in creative terms, and so try as I might to disassemble this, it’s… fine?

That angry queerness is what connects 2005 Doctor Who to the last time the show was regularly broadcast, and in some ways back to its anarchist, marginalized roots. If we’re gonna get prescriptive, this is to my mind the mode that the show should be working in.

With the Cartmel era, Ace of course is meant to be… bi at least, if not finding her feet as a lesbian. And then serials like The Happiness Patrol, well. For those outside UK queer circles, section 28 may possibly not mean much in 2020, but it’s no accident that this tale of the state suppression of public displays of melancholy—everyone is compelled to be happy all the time, right—hits at the exact moment as legislation banning public displays of, depiction of, discussion of, homosexuality. Under the terms of that very law we can’t talk about how it’s illegal to be gay—but illegal to be sad? Just reverse the polarity and the censors will never notice. Then we can paint the TARDIS pink, and fill the story with glitter and candy—

Or… by 2018 standards, I guess we can rescue Amazon from the evil labor organizers so that society doesn’t collapse without its cheap merchandise.

The McCoy era of course deeply informed Davies. The 2005 episode, “The Long Game,” is based on an old spec script he wrote at the time for the Seventh Doctor and Ace. If you reach back, there is sort of a long predecessor to The Happiness Patrol in The Macra Terror—my sometimes-vote for maybe the best story of the Troughton era—which itself is a story Davies referenced at his best and most bonkers, in “Gridlock.”

Which, speaking of trans jokes, is a word that… I just… misread as another word entirely.

Basically, Doctor Who should be batshit and earnest, and it needs to have something to say. My mind so often reels when people assert the opposite, as with the popular fan response to Ghost Light, In that story, Ace gives a haunted monologue about a formative memory of a hate crime she witnessed against her friend. Apparently that whole scene, and by extension the serial and the era in general, is prime cringe because Ace references “the white kids” when she herself is white. “The white kids firebombed it!” the fans will chuckle at each other.

The same fans who think the one flaw in Talons is a shitty giant rat puppet.

(Which is, incidentally, the very best part of the serial. It’s so charming!)

It was such a good thing for this fandom when all the teenage girls began to rush in about 15 years ago, terrifying the aging-out middle-class white cis dudes. And that’s who Davies brought to the game. That’s who he wanted. That’s who he knew would make a difference.

Davies was right. For its own health, the fandom needed a massive change in its gender makeup. It was a Big Trans plot the whole time. His long game, if you will.