e3

No More E3: Now that’s what I call a duck!

  • Reading time:2 mins read

Wow, yes. This is a good thing! Both Tim and I have been arguing for a while that this circus should have been behind us years ago. That it still existed was a symbol of sorts of the whole inward-tuned wankathon that has been the game industry for a number of years. Sort of an embarassment, really. And it’s not the booth babes that were the problem, either.

It seemed clear that the changes this past year were a sign of desperation: either clean things up and change, or the expo will become completely irrelevent. The industry has actually started to move again, the last couple of years, and E3 really didn’t seem necessary anymore in its current form. The basic conclusion, from the people I’ve talked to, is that E3 really wasn’t any different this year. Maybe a little less annoying — and yet without the most ridiculous excess to distract a person, it became clear just how tedious and ill-conceived the whole thing was. It seemed clear that E3 was on its way down.

That they should have pulled out so abruptly is a surprise, though. Not an unwelcome one, mind! I just expected a more gradual, kicking, screaming, choking death until nobody cared anymore. I’m impressed, frankly. This is one of the more heartening things I’ve heard in a while, in regards to the industry in general — not just the “death” of E3; the boldness in simply pulling the plug like this, rather than clinging. The whole change in attitude that this suggests — well. It’s good! I like it!

The Art of Selling Out

  • Reading time:3 mins read

by [name redacted]

Originally published by Next Generation.

Katamari Damacy ends with the player roaming the Earth, ripping up all of its nations and rolling them into a ball. Hard to follow up on that.

The sequel is, therefore, the exact same game as the first. It had to be, really; that’s how sequels work. You capitalize on the investment of the first game by recycling your work and cashing in on the good will the first game bought you. The curious detail is that this sequel knows what it is; it was made with knowledge of the first game, and of the success of that game – for without that success, there would have been no sequel. And more to the point, it was made knowing just what people expect in a sequel.

Devils in the Details

  • Reading time:3 mins read

by [name redacted]

Originally published by Next Generation.

All right, so Lament of Innocence wasn’t so hot; the next game would be the real clincher. Lament did have a good engine. And Leon controlled just right. There just wasn’t much to do with him, was all.

So what does Igarashi have to show this time? As it turns out, not much — yet. As of E3, Curse of Darkness strongly resembles its predecessor: another 3D Castlevania that feels nice to play, but has the level structure of Teenage Mutant Ninja Turtles. That in itself would be fine; Castlevania began as an action game, and it worked then. What is worrisome is that Igarashi wants to make this game nonlinear.

Wonder of Wonders

  • Reading time:3 mins read

by [name redacted]

Originally published by Next Generation.

Yuji Hori’s Dragon Quest was the first console RPG. It established the template that every other Japanese RPG has followed, and none of its sequels have fundamentally strayed from that form. It’s the unchanging grandfather of console culture. In Japan, it’s an institution. Here, it’s been a dud.

Maybe it was the name. Thanks to TSR’s lawyers, we knew the series as Dragon Warrior. On the cover, we saw a man who might as well have been Captain America, battling a huge, leering wyrm. Instead of a game where we took the role of this warrior, we got an introverted little quest where straying too far, too quickly was suicide.

Dragon Quest VIII is much the same; the only real change is in presentation. That might just be enough, though.

Beat Down: Fists of Vengeance

  • Reading time:3 mins read

by [name redacted]

Originally published by Next Generation.

With the public rehabilitation of the shooter in games like Ikaruga and Gradius V, the industry is apparently looking to the brawler for its next miracle; this year we can expect to see at least three significant attempts to remodel the genre into something people might want to play again. Of these, Cavia’s Beat Down: Fists of Vengeance can claim both the worst title and the oddest implementation.

Smart Marketing – How an Intelligent Approach to Research Can Boost Your Bottom Line

  • Reading time:1 mins read

by [name redacted]

The idea behind Creative Domain Executive VP of Marketing Craig Relyea’s panel at this year’s E3 was to explore and maybe debunk what he described as misconceptions about “strategic information gathering”; marketing speak for focus groups, surveys, and other consumer data-raking. His thesis was that current videogame marketing “relies too much on gut instinct,” a tendency that, from his perspective, has “slowed the industry’s progress in becoming a dominant medium.” He fears that “we’re becoming smothered by over-dependancy on analysis”, resulting in a trap where, unless it is an extension of an established brand, nothing new gets made.

( Continue reading at GamaSutra )

E3 Errata

  • Reading time:1 mins read

by [name redacted]

I really wanted Nanobreaker to be a step toward something excellent — or at least something compelling and odd. Or for it to show that Igarashi knows what he’s doing with 3D games. I don’t think it accomplishes any of this, in the state in which I saw it. I mean. It’s… sort of interesting in the sense that it’s just so damned bloody. Or. I guess Igarashi insists that this isn’t really blood, but oil or something. Whatever it is, it’s red and it’s goopy and it’s everywhere.

( Continue reading at Insert Credit )

Final Fantasy XII

  • Reading time:1 mins read

by [name redacted]

I have never been all that hot on Final Fantasy. A few games in the series have managed to amuse me, on one level or another. In general, I am bored by what Square has continually tried to accomplish with this series. I feel often that they have gone in the wrong directions, for the wrong reasons, and have as a result — given how much political influence they have within the design community, and how misdirected and conservative their design philosophy has been — been largely responsible for the lack of substantial evolution in the Japanese console RPG genre which they helped to popularize. They just set a bad popular precedent, for the rest of the industry to follow. And follow, you know the industry will. Biohazard was another problem; Mikami is now on his way toward fixing it. Now, though, I think Square might be on its way to joining Capcom in this trend toward repairing a whole genre.

( Continue reading at Insert Credit )

Myst IV: Revelation

  • Reading time:1 mins read

by [name redacted]

This was a surprise; I had heard nothing of a new Myst. I knew about Uru, and I knew of its troubles. It has been a long time since I have bought a PC game, however; I just haven’t had the computer to run anything made after 1997. Then, since there hasn’t been a lot interesting going on with the PC scene since the mid-’90s (unless you’re into whack-a-rat or first-person shooters, or you absolutely must have the fastest graphics card and processor, to show off the newest tech demo), I have for some time felt safe to ignore that whole segment of the industry. Yet, it seems like there is still some activity worth tracking. I think.

( Continue reading at Insert Credit )

Altered Sega

  • Reading time:1 mins read

by [name redacted]

There was nothing going on at Sega. Perhaps that’s why they decided to hide the booth in a small room off a little-used hallway, apart from the show floor, where no one who found it did so by accident and few who did intend to take a look remembered to do so. Out of sight, out of mind. Yu Suzuki strolled around, gently sipping his bottomless Coca-Cola. Some other high-level Sega staff sat crosslegged on the carpet in the hall outside, chatting. No one paid attention.

( Continue reading at Insert Credit )

I should have gotten the horizontal stand.

  • Reading time:3 mins read

So, I now have a PS2. However, it chooses to patronize me. When I put in The Lord of the Rings: The Fellowship of the Ring: Extended Edition: Disc One, the system complains. It asks me if I really want to play such an inappropriate movie. I insist that I do. It asks me for a password. I enter zerozerozerozero. The movie plays. I go into the options, to change the parental settings… and it doesn’t allow me access.

I shall have to do research here.

Shinobi is rather entertaining, so far. I don’t know what people are complaining about, as far as difficulty. I kept falling to my death on one section, although that was due mostly to my own stupidity. I do know that the dub could… use some work. I wonder how the original acting is. Hotsuma’s inherent envelope of cool stoicism is shattered somewhat whenever he opens his mouth and a high-pitched, bored American voice burbles out.

The PS2 memory card browser utility is interesting. I like how it applies old PSOne saves to 3D tiles. I like even more the way PS2 games can use polygonal models for their icons. Lament of Innocence has a little, animated Leon. Standing next to him is a slightly-chibi K’, from The King of Fighters 2000. Next to him is a blow-up of his fist, from KoF2001. All different sizes and shapes. Eccentric!

I also got a second controller for my Gamecube — an orange one, to replace the orange one on the old Gamecube that my old roommate from college, Matt, used to have. It will be of aid in future Monkey exploits. Now that, you know, I have people to play with.

What a novelty.

It seems the one E3 feature I have yet finished (I assure, more soon pend) has gotten slashdotted. Although this is common for some other writers, it is a first for me. So. One more item on the checklist.

I received two emails in a row, in response to the article. The first, from the person who informed me of the slashdot link, is titled “Contrats on KOF:MI article being slashdotted!”. This is a good title, to help me sort out the message from all of the others with titles like “tuft blustery” and “all i want is.. dumbbell abdicate” and “Generic Phentermine is just as good!” Thing is, the message just after it is titled “Congratz 2 a real player”. That one was also in response to the article, although from… someone else.

It is time to eat burritos.

I think tonight I will probably finish the next article. It’s just. I take a while to do things.

KOF: Maximum Impact

  • Reading time:1 mins read

by [name redacted]

From the beginning, SNK has tried to spruce up 2D fighters by incorporating elements of three-dimensionality. With 1991’s Fatal Fury, SNK introduced the idea of multi-planar fighting, where the characters may step along a Z axis, into or out of the screen. The King of Fighters ’94 adapted the idea of a sidestep for a single plane: press two buttons, and dodge into the background for a moment, to avoid being hit. SNK already had the technique down, that was not rediscovered until five years later, in Sega’s Virtua Fighter 3.

All of that I see now, in retrospect.

( Continue reading at Insert Credit )

EXTREME BUTTON-PRESSING ACTION

  • Reading time:5 mins read

A guy ahead of me in line began to stare at me while I was waiting to see the new vampire western FPS game by Sammy Studios. Eventually, after getting the attention of the rest of his posse, he spoke.

“Dude. So you’re a journalist?”
“… I guess so.”
“Have you seen Halo 2?”
“No.”
He paused. I could see he was confused. “But you have a press pass. You can get in to see it, right?”
“Theoretically, I suppose.”
“You aren’t going to see it?”
“No.”
A companion with bleary eyes and blond hair looked incredulous. “Why not?!”
“It doesn’t interest me.”
They stared. I ignored them. The first guy spoke up again. “But [whatever the name of Sammy’s game is] interests you?”
“Not particularly.”
“Then why are you here?”
“It’s the first original game by Sammy Studios. That is kind of interesting.”

They found nothing else to say to me.

I didn’t make it to the show flow today. I was just too tired. Several days of barely any food or rest, and too much eventitude, was enough to make me immobile until maybe an hour or two ago. I guess that’s okay. I saw everything I really wanted to see, the first two days. Today would have just consisted of poking around. I heard that Katamari Damacy is playable in an obscure corner of Namco’s booth, for instance. Also, it would have been nice to have talked with Tycho some. I keep missing him, although Gabe seems to be everywhere. Then there is the Pac-Man game for the DS, that two people in a row asked me about. I never got a chance with it, as the booth babes were rather quick to shoo me out of the demo room.

I have things to write.

Most interesting items this year:

There’s the Nintendo DS. It really could be revolutionary. You can’t understand until you hold it. This has the most potential of any current system to do something interesting. The PSP, while attractive, is just more of the same thing that Sony has been doing for nine years. There is no comparison between the two systems. Nintendo wins, somehow. I am shocked and surprised.

Neo Contra is a new Contra game that might as well have been made by Treasure, although Kojima insists that it wasn’t. It is more fun and bizarre than any other game in the series besides perhaps Hard Corps, for the Genesis, and it might be an example for how to do a series like Ikari Warriors in the modern era.

I asked Michael Meyers for a demo of KOF: Maximum Impact. He asked me if I had a dev system. I told him no. He said that it probably wouldn’t do me much good then, at the moment. He will send me a press demo when they have one ready. And. Good, because I want to play more of this game. I think I spent more time here than anywhere else. SNK did it. This game is more than competent. It is darned good — on whatever terms you might want to examine it. Brandon and Vince dismiss it rather quickly. They didn’t look close enough. Seriously, this is the start of something really good for SNK. I’m proud of them.

I hate Biohazard. Resident Evil 4 (version 3) is probably tied for my game of the show, along with the chat program for the Nintendo DS. (Just trust me on that one.) As Tim put it, it is already a great game. While it ain’t perfect, I can’t blame its few downsides in the face of what it has accomplished. There is an energy here.

Then there is Rumble Roses. I…

Jesus.

This is perhaps the most honest thing I have seen in my life.

It is a female wrestling game, designed by Yuke’s and published by Konami. It includes a mud wrestling feature, and a girl with devil horns and a tail who is chained up in a cellar somewhere, being whipped by another woman. They are still deliberating whether to include a nude mode. I think they should. From what they have accomplished so far, I see no reason to hold back. It would… taint the honesty of the rest of the game. And they say it will be an adults-only game anyway (the videogame equivalent of NC-17), so why not.

Tim says that he bets the game was designed by a woman. I think I agree with him on that. It would… take a while to explain.

Perhaps most surprising is that it plays well. It is a real game, with real depth to it. It plays like a 3D fighter, basically. And it’s just plain fun. Although again, it does not pretend. One of the main options on the menu is a computer-versus-computer mode.

Beat that, Itagaki.

EDIT: Wrong subtitle. Guh.

Great Ex-Spectorations

  • Reading time:3 mins read

So I’ve got a copy of Let It Be… Naked, now.

And. It sounds good. There are the obvious tracks like “The Long and Winding Road”. Yes, yes. What impresses me more is the difference in sound quality and general engineering decisions with pieces like “I’ve Got a Feeling”. What a difference dynamic range and tonal saturation can make.

Hell. Did you know there was an organ in the background? In theory, it sustains most of the tension while Paul goes all Helter Skelter on top of it. In Phil Spector’s version, it’s not there! Well, barely. Now that I’m listening for it I can hear its faint buzz, way in the back. It almost sounds more like feedback than an instrumental voice.

Similarly, the opening chord — at first glance, it sounds like the top note is entirely different. I thought the new mix must run at a different tape speed (as with “Across the Universe”). No; it’s just that Spector was a dumbass and cut off almost the entire upper end of the spectrum. That’s why the entire album sounds like it’s being played from inside a tin can.

Well, that’s repaired. Forgotten details (like backing vocals) have been brought back to the foreground and balanced properly. We’ve got intelligent stereo separation. All of the meaningless, cute banter has been stripped away and (where it seemed salvageable) thrown onto disc two.

The effect is that this indeed does sound like a live (and often accoustic) performance — in comparison to some ancient, faded, muddy artifact dug out of a deep hole and dressed up with a string arrangement. It’s got warmth. And. The songs have some impact that they didn’t have before. Heck, now I understand what the guitars are doing. In many cases, they were an inpenetrable fog. It seems there is, however, musicianship at work. How interesting!

And yes, “The Long and Winding Road” has become listenable. Now I might not skip it. Not every time.

Consider this: George’s picture on the front isn’t as frightening anymore. I think that says… well, what does it say? Before he leered at John with inhuman teeth. Now he looks depressed. I suppose you could call that an improvement. I’d try to relate it to the fact that the man is dead, if it weren’t that I just watched him play Pac-Man not much over six months ago.

On another note, here’s a quote from the inside of the traycard:

Thank you for buying this music and for supporting the artists, songwriters, musicians, and nothers who’ve created it and made it possible.

Please remember that this recording and artwork are protected by copyright law. Since you don’t own the copyright, it’s not yours to distribute. Please don’t use Internet services that promote the illegal distribution of copyrighted music, give away illegal copies of discs or lend discs to others for copying. It’s hurting the artists who created the music. It has the same effect as stealing a disc from a store without paying for it.

Well! That’s a different tactic.

EDIT: I like the last paragraph here.

Metal Slug Advance (GBA/Playmore)

  • Reading time:3 mins read

by [name redacted] and tim rogers

I don’t know if this report even went live on the site. If so, it’s buried in the infrastructure. If not, well, that sort of thing happens at Insert Credit HQ. Either way, it’s here now.

Good gracious! How did this slip through the cracks?

At E3, SNK had a nonplayable demo up of their upcoming Metal Slug game for the GBA. For whatever reason, it seems I’m one of the few people to actually get a solid look at it. (Brandon didn’t even know what I was talking about.)