rewriting

So after rattling around the city for a while, I eventually turned up a copy of this — the first localization I’ve been really proud of. Actually, a few poorly chosen words aside, I really like it. It’s been long enough that I barely recall writing any of it, so I guess I’m in a fair position to be impressed.

Aside from the localization — which really does flow well, I must say — the overall package is just handsome. Appropriately schlockish typeface and blurb on the back cover. Nice quality paper and printing. Complete, in order, and well-documented. And hey, they even superimpose the sound effects over the panels themselves, instead of simply noting them in the margins — a novel approach for Dark Horse. A nice package, overall.

Here are a few carefully-chosen samples, captured about as well as possible on the weird scanner in the other room:

So. I recommend it! And there are at least two more of on the way, both of which I recall as superior in at least one respect. The only problem you might have is in actually finding a copy. Although it’s part of the same push that Dark Horse has been giving to Kasuo Umezu’s Scary Book series, you can find the latter anywhere and — I swear — nobody’s ever heard of Museum of Terror, much less put out an order on it. The only place I managed to track down a copy was in Japantown. If your local Borders doesn’t carry it, I just suggest ordering it online. Amazon’s got a good price, especially for how damned thick this thing is.